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AnimaMundi recently came into existence as an outlet for my long interest in drones and the psychologically transformative possibilities of electronic sounds.
The sounds used in most compositions are generally purely electronic in origin, although samples and recordings often make their way in also. The arranging process is usually improvised when all of the elements are in place. Very little editing takes place after this point.
The main objective is to find new mappings between sound and emotional/perceptual processes. In this sense, intellectual analysis is completely rejected in favour of direct experience.
I have always viewed art, including music, as the creation of ritual objects, and the awareness of this is the main driving force of my output.
“Elevate” is based on a cycle of consonance and dissonance and the union of the two.
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