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IT is not without some misgiving that I have undertaken to edit the collected writings of Aleister Crowley. The task has been no easy one. His numerous reference to the obscurer bypaths of classical mythology, and his not less frequent allusions to the works of Qabalistic writers, have demanded much elucidation. In making the explanatory notes, I have endeavoured to strike a golden mean between the attitude of Browning, when he published “Sordello,” and that of Huxley, who took it for granted that his readers were entirely ignorant: and only such passages or phrases have been annotated as were thought likely to present any difficulty to the student of ordinary intelligence.
It is no part of the duty of an editor to assume the role of critic. But I must explain that I am conscious of Crowley's weaknesses. They are in the main the outcome of his astonishing perversity; nowhere more strikingly demonstrated than in “The Poem,” throughout which there is a struggle for the supremacy between his sense of the ridiculous and his sense of the sublime.
I am also aware that his views on religious matters will be found unpalatable in some quarters. But it should be remembered that these writings represent the ideas of a man of an unconventional mind brought up in conventional surroundings. When he came to man's estate he not unnaturally revolted: and the result has been, as in many such cases, that his search for the truth has led him to investigate the religious beliefs of many nations; nor have those investigations tended to lessen the gulf which separates him from the orthodox point of view.
The edition is authorized, and, as such, complete: therein are contained all the important works of Aleister Crowley.
LONDON, March 1905.
Preface | Aceldama: A Place To Bury Strangers In | The Tale of Archais | Songs of the Spirit | The Poem | Jephthah | Mysteries: Lyrical And Dramatic | Jezebel, and Other Tragic Poems | An Appeal to the American Republic | The Fatal Force | The Mother’s Tragedy | The Temple of the Holy Ghost | Carmen Saeculare | Tannhäuser | …
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