Hanni Jaeger

Hanni Jaeger, Hanni Larissa Jaeger; artist, model; the Monster, Soror Anu, a Scarlet Woman

• Born c. 1911 at Bernau(?), Germany
• Died 1932(?)

“[In Germany, Crowley] befriended Hanni Larissa Jaeger, a nineteen-year-old spitfire who shared Crowley's interest in painting.”—Richard Kaczynski, Perdurabo: The Life of Aleister Crowley, 246

“Miss Jaeger fucks everyone farewells”—Aleister Crowley diary, July 31, 1930 via Richard Kaczynski, Perdurabo: The Life of Aleister Crowley, 248, 653

“AC renamed the luscious Fräulein Jaeger as the Monster (he also gave her the magical name Anu) and began practicing sex magick with her. “—Richard Kaczynski, Perdurabo: The Life of Aleister Crowley, 248

“As they traveled, Crowley also trained the Monster to become his next Scarlet Woman.”—Richard Kaczynski, Perdurabo: The Life of Aleister Crowley, 450

“In that penultimate sentence, it's more accurate to say that Crowley's stunt was a grand romantic gesture to woo Hanni Jaeger & also a stunt to sell her elopement travelogue (which Crowley would ghost write), 'My Hymen.' Hanni Boca'd Crowley at the end of their relationship before disappearing back to California (laying the foundation for the urban legend that Crowley drove his girlfriends to suicide).”—https://twitter.com/richardkaczynsk/status/1352613200827740163

“Age nineteen, from Santa Barbara, California, artist and model Hanni Jaeger is a guest of Berlin artist and astrologer Hans Steiner.”—Tobias Churton, Aleister Crowley: The Beast in Berlin: Art, Sex, and Magick in the Weimar Republic, xxv

“From the pretty town of Bernau, 10 km northeast of Berlin, blond-haired, blue-eyed Hanni Jaeger was the daughter of Martha (1882–1966) and Hermann Jaeger (1879–1961), a farmer and market gardener who emigrated to the United States in August 1923, settling in Santa Barbara, Califronia. A year later he was joined by … thirteen-year-old Hanni.”“—Tobias Churton, Aleister Crowley: The Beast in Berlin: Art, Sex, and Magick in the Weimar Republic, 121

Aleister Crowley, Fernando Pessoa, My Hymen, Boca do Inferno, Abbey of Thelema, Scarlet Woman, J W N Sullivan, Aldous Huxley

• Hanni Jaeger

• /2012/09/19/september-1930-lisbon-aleister-crowleys-lost-diary-of-his-portuguese-trip/

• Richard Kaczynski, Perdurabo: The Life of Aleister Crowley 9781556438998 1556438990; 446, 448–454, 463, note 653
• https://twitter.com/richardkaczynsk/status/1352613200827740163
• https://strangeflowers.wordpress.com/2014/10/13/places-crowleys-berlin/
• https://www.behance.net/gallery/6975953/THE-MONSTER-AND-THE-BEAST-Story-Outline
• https://www.imdb.com/title/tt0097895/ O Mistério da Boca do Inferno (1989) dir José de Pina, played by Cathrin Loerke
• https://www.imdb.com/title/tt11716410/ Boca do Inferno (2019) dir Luís Porto, played by Georgina Beedle
• http://joseangelgonzalez.com/fernando-pessoa-aleister-crowley/
• https://www.researchgate.net/publication/291890180_An_implausible_encounter_and_a_theatrical_suicide_-_its_prologue_and_aftermath_Fernando_Pessoa_and_Aleister_Crowley
• https://www.worldcat.org/title/aleister-crowley-letters-to-herbert-sherman-gorman-1930-1936/oclc/176633371 “In a letter, 1930 Aug 30, Crowley discusses in detail having started on a trip around the world with the 'Monster' [Hanni Larissa Jaeger], being short on money and desiring a contract with a newspaper to write about his travels.”
• https://moonspellisboa.wordpress.com/aleister-crowley/
• https://frater273.com/2018/06/23/the-scarlet-woman-history/
• Tobias Churton, Aleister Crowley: The Beast in Berlin: Art, Sex, and Magick in the Weimar Republic 9781620552568 1620552566; xvi, xxv, 121, 145, 146, 150–151, 153–154, 157–159, 167, 171, 173, 345–346; finding a studio, 205–206, 207–208; melancholy of, 211, 213–214, 220; pictured, 206; relationship with Crowley, 206–7, 210–211, 241–243, 246, 247–248